Caption Seoul Archive 002
Daseul Song, Gilly Ghim, Hyunji Seo, Joohong Kang, Kahee Jeong, Karu Miyoshi,
Kay Yoon, Leesop Cho, Minohrichar, Seungjae Shin, Shu Da, Yezoi Hwang
Jan. 31 – Feb. 22, 2026
2026, copper plate, gunshot perforation, chemical patination, 16.5×15cm
Kay Yoon, Scar 12026, copper plate, gunshot perforation, chemical patination, 16.5×15cm
2026, copper plate, gunshot perforation, chemical patination, 14.5×12cm
Kay Yoon, Scar 22026, copper plate, gunshot perforation, chemical patination, 14.5×12cm
2026, copper plate, gunshot perforation, chemical patination, 25.5×15cm
Kay Yoon, Scar 32026, copper plate, gunshot perforation, chemical patination, 25.5×15cm
2026, copper plate, gunshot perforation, chemical patination, 25.5×15cm
Kay Yoon, Scar 42026, copper plate, gunshot perforation, chemical patination, 25.5×15cm
2025, mezzaluna knife, velvet flute case, hand-tagged label, 15×40×11.2cm
Kay Yoon, Nightmare, Smile and Even2025, mezzaluna knife, velvet flute case, hand-tagged label, 15×40×11.2cm
2025, mixed-media installation with viola neck, brass horn, double bass wires, Arduino circuit, salvaged table and rack components, 200×62×29.8cm
Kay Yoon, Between Glowing and Groaning2025, mixed-media installation with viola neck, brass horn, double bass wires, Arduino circuit, salvaged table and rack components, 200×62×29.8cm
2026, pencil on paper, print, 50×50cm
MinOhrichar, Patch note drawing for Ground of Read2026, pencil on paper, print, 50×50cm
2024, modular synthesizer for generating noise using noise-canceling technology & data compression, 83 × 42.5 × 20 cm
MinOhrichar, Ground of Read2024, modular synthesizer for generating noise using noise-canceling technology & data compression, 83 × 42.5 × 20 cm
2023, synthetic crystal, steel, and mixed media, 30×30×6cm
Shu Da, Seven Treasures 七宝-思惟ⅱ2023, synthetic crystal, steel, and mixed media, 30×30×6cm
2024, resin, lacquer, and mixed media, 28×25×3cm
Shu Da, Seven Treasures 七宝–覚悟者2024, resin, lacquer, and mixed media, 28×25×3cm
2025, lacquer, volcanic ash, resin, prayer beads, paulownia wood box, 33×28×7.6cm
Shu Da, Seven Treasures 七宝–思惟2025, lacquer, volcanic ash, resin, prayer beads, paulownia wood box, 33×28×7.6cm
2025, oil on canvas, 24.5×33.5cm
Leesop Cho, Shadowed Glance2025, oil on canvas, 24.5×33.5cm
2025, oil on canvas, 27×40.5cm
Leesop Cho, Untitled2025, oil on canvas, 27×40.5cm
2025, crystal, blonde wig, steel, 56×21×21cm
Leesop Cho, Before gaze no.22025, crystal, blonde wig, steel, 56×21×21cm
2025, yarn, wire tube, rubber, silicone tube, shower hose, iron bell, iron ball, Christmas tree ball, various anal beads and dildos, crystals, various beads, and mixed media, dimensions variable (length approx. 400cm)
Leesop Cho, The Robber Bride2025, yarn, wire tube, rubber, silicone tube, shower hose, iron bell, iron ball, Christmas tree ball, various anal beads and dildos, crystals, various beads, and mixed media, dimensions variable (length approx. 400cm)
2026, woven basket frame, papiermâché, linen, gold powder and oil, mother-of-pearl, steel rings, brass tacks, tool cabinet, 220×150×55cm
Gilly Ghim, Lion ritual2026, woven basket frame, papiermâché, linen, gold powder and oil, mother-of-pearl, steel rings, brass tacks, tool cabinet, 220×150×55cm
2025, oil, silver powder, and threads on canvas, 160×30cm
Gilly Ghim, Long tail2025, oil, silver powder, and threads on canvas, 160×30cm
2025, oil on canvas, 30×30cm
Kahee Jeong, Blue Hour No.32025, oil on canvas, 30×30cm
2025, fabric, UV printing on acrylic, aluminum, 24x31cm
Karu Miyoshi, The Stripped Body2025, fabric, UV printing on acrylic, aluminum, 24x31cm
2025, oil on paper, pencil, color pencil, off-set ink, 110×80cm
Joohong Kang, A book of spells2025, oil on paper, pencil, color pencil, off-set ink, 110×80cm
2025, mushroom leather, blended paper, 30×45cm
Hyunji Seo, Mycelica2025, mushroom leather, blended paper, 30×45cm
2025, mushroom leather, UV print on papyrus, 14×15cm
Hyunji Seo, 2025, mushroom leather, UV print on papyrus, 14×15cm
2025, mushroom leather, UV print on papyrus, 14×15cm
Hyunji Seo,
2025, mushroom leather, UV print on papyrus, 14×15cm
2025, digital pigment print, 60×80cm
Yezoi Hwang, The Grave That Disappeared_ Friedhof Manegg, Zurich, Switzerland2025, digital pigment print, 60×80cm
2025, digital pigment print, 13.5×18cm
Yezoi Hwang, On the Way to the Graveyard_Zurich, Switzerland2025, digital pigment print, 13.5×18cm
2025, digital pigment print, 13.5×18cm
Yezoi Hwang, Notebook of Aglaja Veteranyi_Swiss Literary Archives, Bern, Switzerland2025, digital pigment print, 13.5×18cm
2025, digital pigment print, 13.5×18cm
Yezoi Hwang, On the Way to the Lake_Zurich, Switzerland2025, digital pigment print, 13.5×18cm
2025, cut steel plate, bolts, round nuts, springs, variable installation (NTS)
Daseul Song, Tendrils2025, cut steel plate, bolts, round nuts, springs, variable installation (NTS)
